Sur les bords de la caméra, Short Movie, 1932

Pictures provided by: chicomarx

Also known as:

Pictures on the Sideline
Op de boorden van den kamera (Belgium)

1929 Nash Standard Six

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chicomarx ◊ 2009-10-21 22:35	Just the one. Most cars are too distant or dark. Quote Like he did for "Histoire du soldat inconnu", Storck uses newsreels from 1928 which he distorts, although in a more humanistic and slapstick way. He combines images of police repression, explosions, riots and fire, with images of gymnasts, music halls, models and sea lions, which makes it all the more disturbing. Charles Dekeukeleire and Henri Storck will become famous documentary film-makers, but their debuts consist of experiments and the search for 'pure cinema'.

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chicomarx

◊ 2009-10-21 22:35

Just the one. Most cars are too distant or dark.

Quote Like he did for "Histoire du soldat inconnu", Storck uses newsreels from 1928 which he distorts, although in a more humanistic and slapstick way. He combines images of police repression, explosions, riots and fire, with images of gymnasts, music halls, models and sea lions, which makes it all the more disturbing. Charles Dekeukeleire and Henri Storck will become famous documentary film-makers, but their debuts consist of experiments and the search for 'pure cinema'.

	The vehicle is part of the movie
	Vehicle used a lot by a main character or for a long time
	Vehicle used by a character or in a car chase
	Minor action vehicle or used in only a short scene
	Background vehicle
	Unknown vehicle role
	Seen only in preview/trailer
	Seen only in deleted scenes
	Seen only in an alternative ending
	Seen only in an extra DVD contents

Sur les bords de la caméra, Short Movie, 1932

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