Thunder on the Hill, Film, 1951

Images fournies par : DidierF

Titres alternatifs :

Agonia de uma Vida (Brazil)
Schwester Maria Bonaventura (Germany)
Tempestad en la cumbre (Spain)
Tuoksuvan kirjeen salaisuus (Finland)
Tempête sur la colline (France)
Mennydörgés a hegyen (Hungary)
La campana del convento (Italy)
E... Deus Não Dorme (Portugal)
I galgens skugga (Sweden)
Bonaventure (United Kingdom)

1935 Vauxhall Light Six

Où trouver ce titre ?

Regarder ou acheter ce titre - Powered by JustWatch

Commentaires sur ce film

Voir tous les commentaires à propos de ce film et de ses véhicules

Auteur	Message
DidierF ◊ 2015-05-18 03:22	is a Douglas Sirk's movie, with two US female leads, Claudette Colbert and Ann Blyth, and a bunch of British actors—though shot at Universal Studios, California, the action is set in "Norfolk county, England, when the floods came"—: Robert Douglas, Anne Crawford, Philip Friend, Gladys Cooper, Michael Pate, John Abbott, Connie Gilchrist, Phyllis Stanley, and so on. In a nutshell, it's a whodunit in a nut shell, I mean, in a convent. The culprit though is not a nun. The climax can predate a bit and somehow Hitchcock's Vertigo ending. Some over-acting here and there (Blyth, not very good; Phyllis Stanley, as a bit over-the-top English frustrated-to-crazy nurse), but when it comes to scenes with only two or three people, direction can be quite effective and the story becomes gripping, helped by a nice photography made by William Daniels. Colbert is beautfiul and restrained and good. In the end, a pleasant movie. With one car. British, I assume.

Auteur

Message

DidierF

◊ 2015-05-18 03:22

is a Douglas Sirk's movie, with two US female leads, Claudette Colbert and Ann Blyth, and a bunch of British actors—though shot at Universal Studios, California, the action is set in "Norfolk county, England, when the floods came"—: Robert Douglas, Anne Crawford, Philip Friend, Gladys Cooper, Michael Pate, John Abbott, Connie Gilchrist, Phyllis Stanley, and so on.

In a nutshell, it's a whodunit in a nut shell, I mean, in a convent. The culprit though is not a nun. The climax can predate a bit and somehow Hitchcock's Vertigo ending.

Some over-acting here and there (Blyth, not very good; Phyllis Stanley, as a bit over-the-top English frustrated-to-crazy nurse), but when it comes to scenes with only two or three people, direction can be quite effective and the story becomes gripping, helped by a nice photography made by William Daniels. Colbert is beautfiul and restrained and good. In the end, a pleasant movie.

With one car. British, I assume.

	Véhicule faisant partie du film
	Véhicule fort utilisé par un personnage principal ou pendant longtemps
	Véhicule utilisé par un des personnages ou dans une poursuite de voitures
	Véhicule dans une action mineure ou utilisé juste dans une courte scène
	Véhicule d'arrière-plan
	Rôle du véhicule non spécifié
	Apparaît seulement dans la bande-annonce
	Apparaît seulement dans des scènes coupées
	Apparaît seulement dans une fin alternative
	Apparaît seulement dans les bonus du DVD

Publicité

Dernières fiches de films complétées

Thunder on the Hill, Film, 1951

Où trouver ce titre ?

Regarder ou acheter ce titre - Powered by JustWatch

Commentaires sur ce film

Ajouter un commentaire

Publicité