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Author | Message |
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◊ 2012-03-20 12:45 |
Upgraded the movie with HD captures. Roles fixed and added some more vehicles. Press F5 to see changes. |
◊ 2012-03-20 12:57 |
Goof: Continuity The Dodge used by Thornton and Frances McDormand is a Two-Door Sedan On the scene with Scarlett Johansson they used two different. For interior shots a Two-Door Sedan and for the crash a Coupe |
◊ 2012-03-20 14:41 |
Some truly excellent photos in this series! |
◊ 2012-03-20 16:53 |
Excellent movie too. It should be watched in B&W but there's also an identical colour version, which might have been useful for the cars. For example we have /movie.php?id=52077 but that's colorized. That I'm against. |
◊ 2012-03-20 17:55 |
I agree with you chicomarx. If the movie was filmed in B&W, a colored restoration of it is not an upgraded movie but a downgraded one. Could you imagine a colored Frank Capra's /movie_38650-It-s-a-Wonderful-Life.html ? Unfortunately there is a colored version and I get it in a 8'35 Gb size (1436 x 1080). But I'm not to 'upgrade' that masterpiece with pictures as http://postimage.org/image/8w31xtc5x/full/ and http://postimage.org/image/tqat1wh5h/full/ I'll do it (if nobody get it first, of course) when I get a B&W HD copy and good enough to 'upgrade' the pictures already submitted. Your opinion makes me think we could agree about HD colored pictures will never replace HD pictures in B&W if the movie was originally filmed in B&W. |
◊ 2012-03-20 20:21 |
No doubt. Colorizing is only done by companies that put out cheap DVDs... It's the complete opposite of restoring a movie. Since you like Woody Allen, here's Jean-Luc Godard calling Manhattan 'gimmicky': http://www.youtube.com/watch?v=NAsUE1qNgMs&t=5m26s for his use of B&W... This is a true B&W on the other hand, a modern film noir. |